but bobby wouldn’t really do that.
May 11
play, projects, writing No Comments
When I was first told about this project, I was under the impression that when I was finished formatting the screenplay to a stage play, I was done. That’s all I was needed for.
I couldn’t have been more wrong.
For the past week and a half, my job has been to add about thirty pages to this script to give it a ninety minute run time. I took notes at the last meeting and was fully prepared to be able to add the scenes that they wanted, the dialogue, the conflict, and have those thirty pages done.
So I added the scenes that they wanted, and the dialogue, and the conflict. And the new tally of pages showed that I added a total of nine more. Nine. Less than one-third the pages I’m supposed to have. Whoops.
And though I know that I am ultimately the one responsible, there are outstanding factors.
For instance, it is hard enough to add scenes, dialogue, etc., to someone’s work, but when the piece is that writer’s life (or should I say based on that writer’s life), it opens a whole new can of bad apples. Doubly so when said writer is still involved in the writing/production of the play.
See, when you change things around, the person whose story it is being told may not like it. These changes could be as simple as tying up a few loose ends. Or as daring as rewriting the ending to tie up those loose ends. Needless to say, the more you change things, the better the chance that your changes will have to be undone.
Another problem is wanting to try things with the characters that may not be in a way that is consistent with the real person the character is based on.
Now, normally, in a work of fiction, that doesn’t matter because the characters aren’t real, no matter how much they are based on real-life people. But again, when the writer is involved, he or she feels very much attached to the real people and forgets that the characters aren’t real.
Which brings us back to the problem at hand, how does one add thirty pages to a piece of work without changing the story or characters in such a way that the author doesn’t feel like his or her piece is being torn apart? You add the scenes, dialogue, and conflict they want, and if it only adds nine more pages, then it only adds up to nine more pages and you wait until the next production meeting to find out what more can be done.
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